Showing just how sustrainable the 3M Scotch brand is

Just before we turned the calendar over to 2024, 3M and Dynamic Photowerks planned and photographed a project intended to highlight the many ways in which 3M uses sustainable resources and manufacturing for the Scotch brand. We put together our team and planned a two-phase shoot to create the photo assets that 3M was looking … Read more

What To Know: Doing A Shoot With Dynamic Photowerks

So you need to have a car photographed? Whether you need professional automotive photography done out of personal interest, editorial purposes, selling the car, or commercial applications, Dynamic Photowerks is your best source for quality photography. We are based in Minneapolis Minnesota and have been photographing cars for over 20 years with a broad spectrum … Read more

HRE Performance Wheels – Porsche 918 Spyder

Over the summer of 2016 I was hired by HRE Wheels to photographer a special car here in Minnesota. The car is a Porsche 918 Spyder. While only 918 were ever made, three of them are here in MN and all owned by a single owner. This particular 918 I have photographed before while in its original blue state. The car has since gained many thousands of miles on the clock, HRE Wheels, and a matte black Martini vinyl wrap.

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Aston Martin DB11 – Private Reveal

I was invited to the private, invite only, DB11 sneak peek reveal at a top secret location here in MN today. This new DB11 is one of four making the rounds to different private showings around the world. DB11 production doesn’t start until June. It was a great pleasure to get to see this pre-production model in the metal this far before it goes into production. Shout out to Morries Luxury Auto and Scott for the invite. Thank you!

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International Motor Cycle Show 2016

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The first few months of each year, while shadowed in the cold-darkness of winter, have one redeeming feature: auto shows. Yes, nothing gets the blood pumping more than looking at the next hot ride for the upcoming summer months. This time it was the IMS (International Motorcycle Show) that got me in out of the cold and into our very own Minneapolis. Thanks to Twisted Throttle, I was able to get in to grab some snaps of the current and next gen motorcycles. I try not to be biased, but I did start with Ducati. 🙂

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The ‘Lambo Shot’

My favorite shot this year is one of a Lamborghini Aventador racing into downtown Minneapolis. This shot really just ended up being an experiment, one that allowed me to do a full composite for the very first time. However, I didn’t plan it that way.

I first scouted my location weeks in advance plotting a direction, angle, and desired time of day to shoot the photo. Knowing that the location is a major highway, I contacted MN DOT to work out road closure to protect me, my team, and my equipment, but immediately got told to ‘get lost’ by the director of the MN DOT.

Crap! My plans are falling apart by this point to try out one of the coolest locations in Minneapolis and its all the DOT’s fault! Plans quickly changed and I decided to make this my first real attempt at composite editing. Just a number of days before shooting the car, I headed out to photograph the location without a Lamborghini anywhere close.

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I was at the location, I had my camera set up where I wanted, and then I just waited for the right light. Little did I know that I was going to be picky, I waited 45 minutes before the right light and reflections on the buildings came around by which time, the 5-0 inevitably came rolling through. Johnny Law stopped, ran my ID, and kindly asked me to ‘get lost’. I had no issue leaving because I knew I had gotten what I came for. Job done! No wait… I forgot to add a car into my car photograph.

A few days after shooting the location I ran up to IMOLA Motorsports to get the car photographed. It took some careful math along with some trial and error, but I eventually matched the angle I needed (give or take) and got the lighting I wanted.

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After about two hours of said trial and error, Kevin of IMOLA eventually also told me to ‘get lost.’ The time was nearly midnight when I finished shooting.

So after all of that, it was off to the editing room. Pretty much guessing around every corner, I put together the image not really knowing how it would turn out. However, after about 6-8 hours of photoshop time, I got the picture where I had envisioned it originally.

What do you think?

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